The Revolution Wasn T Televised

Author: Lynn Spigel
Publisher: Routledge
ISBN: 113520540X
Size: 69.33 MB
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Caricatures of sixties television--called a "vast wasteland" by the FCC president in the early sixties--continue to dominate our perceptions of the era and cloud popular understanding of the relationship between pop culture and larger social forces. Opposed to these conceptions, The Revolution Wasn't Televised explores the ways in which prime-time television was centrally involved in the social conflicts of the 1960s. It was then that television became a ubiquitous element in American homes. The contributors in this volume argue that due to TV's constant presence in everyday life, it became the object of intense debates over childraising, education, racism, gender, technology, politics, violence, and Vietnam. These essays explore the minutia of TV in relation to the macro-structure of sixties politics and society, attempting to understand the struggles that took place over representation the nation's most popular communications media during the 1960s.

Film

Author: Malte Hagener
Publisher:
ISBN:
Size: 71.94 MB
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Fifties Television

Author: William Boddy
Publisher: University of Illinois Press
ISBN: 9780252062995
Size: 36.15 MB
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In a wide-ranging, rigorous analysis of the fledling American television industry--during the period of its greatest economic growth, programming changes, and critical controversy--Boddy traces the medium's development from the experimental era through the regulatory battles of the 1940s and the network programming wars of the 1950s.

Ghouls Gimmicks And Gold

Author: Kevin Heffernan
Publisher: Duke University Press
ISBN: 0822385554
Size: 49.42 MB
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The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

Psychology At The Movies

Author: Skip Dine Young
Publisher: John Wiley & Sons
ISBN: 0470971770
Size: 76.76 MB
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Psychology at the Movies explores the insights to be gained by applying various psychological lenses to popular films including cinematic depictions of human behavior, the psychology of filmmakers, and the impact of viewing movies. Uses the widest range of psychological approaches to explore movies, the people who make them, and the people who watch them Written in an accessible style with vivid examples from a diverse group of popular films, such as The Silence of the Lambs, The Wizard of Oz, Star Wars, Taxi Driver, Good Will Hunting, and A Beautiful Mind Brings together psychology, film studies, mass communication, and cultural studies to provide an interdisciplinary perspective Features an extensive bibliography for further exploration of various research fields

Radicalization Terrorism And Conflict

Author: Tali Walters
Publisher: Cambridge Scholars Publishing
ISBN: 144385090X
Size: 23.38 MB
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Radicalization, Terrorism, and Conflict is a collection of scholarly works, authored by international researchers and leading thinkers, addressing contemporary, history-making issues in international security and terrorism from an interdisciplinary perspective. Contributors to this edited volume represent global perspectives, ideas, analysis, and research. Radicalization, Terrorism, and Conflict transmits relevant findings, theory, and policy ideas for scholars of security and terrorism studies, for policy makers, and to the general public who are interested in keeping up with this global area of concern. It provides a jumping-off point for conversation and collaboration that can lead to new knowledge and broader understanding. As an interdisciplinary collection of manuscripts, this book integrates and synthesizes theory, research, and public policy analysis in an effort to solve the complex questions and problems presented by this topic. Recognition of the need to approach the problems of radicalization, terrorism, and interpersonal conflict from an interdisciplinary perspective is gaining strength within academic settings, policy institutes, and global conferences. Unlike most recent edited books on the subject that are on the market at this time, Radicalization, Terrorism, and Conflict provides an interdisciplinary approach to understanding related current issues. This approach encourages a broader perspective and thought process, trans-discipline and global collaboration and cooperation, and an integrated synthesis of knowledge. Radicalization, Terrorism, and Conflict opens with an analysis of the ongoing phenomenon of the Arab Spring. In Section 1, contributors look at how players in the theatres of local and international terror become radicalized. Section 2 analyzes how terrorism becomes manifest in the global theatre and how governments and their actors attempt to prevent it. Section 3 presents research to bring understanding to the actors’ behavior and provide settings for future collaboration in understanding these phenomena.

Playing To The World S Biggest Audience

Author: Michael Curtin
Publisher: Univ of California Press
ISBN: 0520251342
Size: 72.19 MB
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Delineates the globalizing pressures and opportunities that have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, and the escalation of democracy movements. This book examines the prospect of a global Chinese audience.

The American Television Industry

Author: Michael Curtin
Publisher: Bloomsbury Publishing
ISBN: 1844575756
Size: 41.43 MB
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In an age of proliferating choices, television nevertheless remains the most popular medium in the United States.Americans spend more time with TV than ever before, and many 'new media' forms, such as blu-ray movies, Hulu videos, and Internet widgets, are produced and delivered by the world s most lucrative and powerful television industry. Yet that industry has undergone profound changes since the 1980s, moving from a three-network oligopoly to a sprawling range of channels and services dominated by a handful of major conglomerates. Viewers cannow accesshundreds of channels at all hours of the day and can search and select from hundreds of thousands of individual programmeson video and Internet services. This diversity has fragmented the size of television audiences and transformed relationships between viewers and television companies. Unlike the first fifty years of television, today'sindustry leaderscan no longer rely on mass audiences and steady revenue flows from big-budget advertisers, and this in turn affects their programming and production strategies.