Italian National Cinema

Author: Pierre Sorlin
Publisher: Routledge
ISBN: 1134817770
Size: 12.74 MB
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From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.

Mexican National Cinema

Author: Andrea Noble
Publisher: Psychology Press
ISBN: 9780415230094
Size: 72.67 MB
Format: PDF, Docs
View: 1394
From Amores Perros and Y Tu Mama Tambien, this books delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the 'Golden Age' of the 1930s and 1940s and the 'nuevo cine' of the 1960s, to the renaissance in Mexican cinema in the 1990s. Individual chapters discuss: the relationship with Hollywood cinema the stars of the Golden Age the role of foreign authors in the founding of Mexican cinema tensions in the industry in the 1960s national and international reception of contemporary film and film-makers. Examining the portrayal of Mexican nationhood through critical analysis of film genres including revolutionary films, machismo and 'mexicanidad', the prostitute, and the work of female authors, Mexican National Cinema is an excellent addition to all media, film, and cultural studies students.

British National Cinema

Author: Sarah Street
Publisher: Routledge
ISBN: 113525334X
Size: 66.33 MB
Format: PDF, ePub, Docs
View: 4883
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

Italian Fascism S Empire Cinema

Author: Ruth Ben-Ghiat
Publisher: Indiana University Press
ISBN: 0253015669
Size: 48.55 MB
Format: PDF, ePub
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Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

Theorising National Cinema

Author: Valentina Vitali
Publisher: British Film Institute
ISBN: 9781844571208
Size: 20.17 MB
Format: PDF, ePub
View: 3308
This book addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that it's made, have not always been seen as pertinent. This volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation.

National Identity In Global Cinema

Author: C. Celli
Publisher: Springer
ISBN: 0230117171
Size: 48.26 MB
Format: PDF, Mobi
View: 5673
When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

Cinema And Fascism

Author: Steven Ricci
Publisher: Univ of California Press
ISBN: 0520253566
Size: 48.10 MB
Format: PDF
View: 5579
"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.

After Fellini

Author: Millicent Marcus
Publisher: JHU Press
ISBN: 9780801868474
Size: 65.96 MB
Format: PDF
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In this work, Marcus interprets a body of work that managed to transcend the decline of Italian cinema's prominence within the industry during the last two decades of the 20th-century.

German National Cinema

Author: Sabine Hake
Publisher: Routledge
ISBN: 1136020543
Size: 13.98 MB
Format: PDF, Mobi
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.

Spanish National Cinema

Author: Núria Triana-Toribio
Publisher: Routledge
ISBN: 1135124876
Size: 19.28 MB
Format: PDF, Kindle
View: 102
This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodóvar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not readily available to an English-speaking audience, as well as case studies focusing on the key issues of each epoch, this volume illuminates the complex and changing relationship between cinema and Spanish national identity.