City Of Glass

Author: Cassandra Clare
Publisher: Simon and Schuster
ISBN: 1481455982
Size: 47.13 MB
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Still pursuing a cure for her mother's enchantment, Clary uses all her powers and ingenuity to get into Idris, the forbidden country of the secretive Shadowhunters, and to its capital, the City of Glass. With the help of a newfound friend, Sebastian, she uncovers important truths about her family's past that will not only help save her mother but all those that she holds most dear.

City Of Glass

Author: Douglas Coupland
Publisher: Douglas & McIntyre Limited
ISBN: 9781553653592
Size: 22.98 MB
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This irresistible little book offers a very different take on Vancouver, one of the world's most beautiful cities. Douglas Coupland applies his unique sensibility to everything from the Grouse Grind to glass towers, First Nations to feng shui, Kitsilano to Cantonese. Cleverly designed to mimic an underground Japanese magazine, this edition is fully updated and revised with riffs on Vancouver as a neon city, a land of treehuggers, and more.

City Of Glass

Author: Paul Auster
Publisher:
ISBN: 9783150090787
Size: 44.12 MB
Format: PDF
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The Shadowhunter S Codex

Author: Cassandra Clare
Publisher: Simon and Schuster
ISBN: 1442496827
Size: 59.17 MB
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"A fictional guide to the Shadowhunter's universe"--

The Mortal Instruments 1 6 Slipcase

Author: Cassandra Clare
Publisher:
ISBN: 9781406359824
Size: 19.60 MB
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All six books in the #1 "New York Times "bestselling Mortal Instruments series, now available in a collectible hardcover boxed set. Enter the secret world of the Shadowhunters with this handsomely packaged boxed set that includes "City of Bones," "City of Ashes," "City of Glass," "City of Fallen Angels," "City of Lost Souls, " and "City of Heavenly Fire." The Mortal Instruments books have more than five million copies in print, and this collectible set of six hardcover volumes is a perfect gift for newcomers to the series and for loyal fans alike.

City Of Glass

Author: Paul Auster
Publisher: Picador
ISBN: 9780312423605
Size: 74.43 MB
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A graphic novel classic with a new introduction by Art Spiegelman Quinn writes mysteries. The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print. Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

Walking Through Paul Auster S City Of Glass Fl Nerie In His Novel

Author: Jeanette Gonsior
Publisher: GRIN Verlag
ISBN: 3640268164
Size: 17.16 MB
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Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,0, Humboldt-University of Berlin (Department of English and American Studies), course: The Flaneur and the Visual Culture of the City, 30 entries in the bibliography, language: English, abstract: "To stroll is a science, it is the gastronomy of the eye. To walk is to vegetate, to stroll is to live." (Balzac, "Physiologie du Mariage") 'City of Glass' is Paul Auster's first novel, published in 1985, after being rejected by several publishers. The first part of 'The New York Trilogy' has been translated into 17 languages so far, a fact that pleads for the novel's commercial success nowadays. An indication for the literary importance of 'City of Glass' is the continually growing number of essays, anthologies and monographs all over the world. It is undeniable that its selling success is related to the general fascination for the cosmopolitan city of New York and for detective stories, as - at first sight - Auster's novel follows the tradition of Edgar Allan Poe. However, he follows the tradition "as creator of 'the lost ones'," as - on closer inspection - the reader has to realize that the real mystery is one of confused character identities and realities. 'City of Glass' does not meet the reader's expectations about a typical New York 'city novel': Auster created an adequate text for a modified, postmodern cityscape where all objects of the city seem like linguistic codes that need to be deciphered. The risks of the city result from the confusion of language and perception. The fear of an identity collapse comes along with the apparent collapse of the cityscape. Auster picks out the loss of stability and security in the city as central theme. He describes a world begging for order and interpretation where "nothing is real except chance." (...) Auster's character Quinn is a deconstructed character of postmodernism, he acts like a 'flaneur', but does not feel comfortable while walkin

City Of Glass

Author: Duncan Macmillan
Publisher: Oberon Books
ISBN: 1786821710
Size: 72.82 MB
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“It was a wrong number that started it.” When reclusive crime writer Daniel Quinn receives a mysterious phone call from a man seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a real-life thriller of his own. He falls under the spell of a strange and seductive woman, who engages him to protect her young husband from his sociopathic father. As the familiar territory of the noir detective genre gives way to something altogether more disturbing and unpredictable, Quinn becomes consumed by his mission, and begins to lose his grip on reality. Will he be drawn deeper into the abyss, or could the quest provide the purpose and meaning he needs to rebuild his shattered life?

Graphic Adaptation Of Paul Auster S City Of Glass Visual Language And Symbolism

Author: Alisa Westermann
Publisher: GRIN Verlag
ISBN: 3640935187
Size: 34.52 MB
Format: PDF, ePub, Mobi
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Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Munster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster's anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster's novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situa"

Paul Auster S City Of Glass As A Postmodern Detective Novel

Author: Toni Rudat
Publisher: GRIN Verlag
ISBN: 3638766233
Size: 24.67 MB
Format: PDF, Kindle
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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, RWTH Aachen University, 13 entries in the bibliography, language: English, comment: Although it is considerably discussed at what time the beginnings of the postmodern era is to be set, it is irrefutable the City of Glassbelongs to postmodern literature. This paper tries to demonstrate in what way postmodern qualities are converted into the novel City of Glass., abstract: PAUL AUSTERs novel City of Glass published in 1985 appeared during the period of the postmodern era.1 Although it is considerably discussed at what time the beginnings of the postmodern era is to be set, it is irrefutable that City of Glass belongs to postmodern literature. To analyse in how far PAUL AUSTERs City of Glass serves as a representative of the postmodern era and to show the reader in what way postmodern qualities are converted into the writings of that time, the main part of this paper will be divided up into two sections. The first section serves to define the coming up of this movement and the qualities it possesses within the genre of detective fiction. Furthermore some important idealistic features like the idea of reality and identity have to be taken into consideration. The short introduction of the two identity-constituting models by ERIKSON and MEAD will provide a better overview of the idea of identity formation. Within the second section the novel itself will be taken into consideration. Therefore it is necessary to take a close look at the main character Daniel Quinn and his character development the crisis of his identity in the course of the novel respectively. Besides another striking factor, namely the appearance of doublings and triplings of characters, has to be clarified as well as the role of the narrator. The conclusion at the end of the paper is supposed then to show to what extent City of Glass belongs to postmodern literature and whi"