British Television And Film Culture In The 1950s

Author: Su Holmes
Publisher: Intellect Books
ISBN: 1841501212
Size: 15.47 MB
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This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these programmes within the contexts of their institutional production, aesthetic construction and reception, the book aims to 'reconstruct' television's coverage of the cinema as crucial to the fabric of British film and television culture at the time. It demonstrates how the roles of cinema and television - as media industries and cultural forms, but crucially as sites of screen entertainment - effectively came together at this time in such a way that is unique to this decade.

Coming Soon

Author: Keith M. Johnston
Publisher: McFarland
ISBN: 0786454172
Size: 21.88 MB
Format: PDF, ePub, Docs
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The audience’s first exposure to a new movie is often in the form of a “coming attraction” trailer, and short previews are also a vanguard for emerging technology and visual techniques. This book demonstrates how the trailer has educated audiences in new film technologies such as synchronized sound, widescreen and 3-D, tracing the trailer’s status as a trailblazer on to new media screens and outlets such as television, the Internet, and the iPod. The impact and use of new technologies and the evolution of trailers beyond the big screen is followed into the digital era.

Television And Consumer Culture

Author: Rob Turnock
Publisher: I.B.Tauris
ISBN: 9781845110789
Size: 66.92 MB
Format: PDF, Docs
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Abstract;. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=111752.

Screen

Author:
Publisher:
ISBN:
Size: 42.95 MB
Format: PDF, Mobi
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Narrating Media History

Author: Michael Bailey
Publisher:
ISBN: 9780415419161
Size: 59.86 MB
Format: PDF, Kindle
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Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives. This unique and timely collection brings together leading international media history scholars, not only to identify and contrast the various interrelationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including: liberalism - feminism - populism - nationalism - libertarianism - radicalism - technological determinism Essays by distinguished academics cover television, radio, newspaper press and advertising (among others) and illustrate the particularities, affinities, strengths and weaknesses within media history. Each section includes a brief introduction by the editor, with discussion topics and suggestions for further reading, making this an invaluable guide for students of media history.

Filmint

Author: Kulturrådet (Sweden)
Publisher:
ISBN:
Size: 75.49 MB
Format: PDF, ePub, Mobi
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The Tube Has Spoken

Author: Julie Anne Taddeo
Publisher: University Press of Kentucky
ISBN: 0813139384
Size: 62.62 MB
Format: PDF, ePub, Docs
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Featuring ordinary people, celebrities, game shows, hidden cameras, everyday situations, and humorous or dramatic situations, reality TV is one of the fastest growing and important popular culture trends of the past decade, with roots reaching back to the days of radio. The Tube Has Spoken provides an analysis of the growing phenomenon of reality TV, its evolution as a genre, and how it has been shaped by cultural history. This collection of essays looks at a wide spectrum of shows airing from the 1950s to the present, addressing some of the most popular programs including Alan Funt's Candid Camera, Big Brother, Wife Swap, Kid Nation, and The Biggest Loser. It offers both a multidisciplinary approach and a cross-cultural perspective, considering Australian, Canadian, British, and American programs. In addition, the book explores how popular culture shapes modern western values; for example, both An American Family and its British counterpart, The Family, showcase the decline of the nuclear family in response to materialistic pressures and the modern ethos of individualism. This collection highlights how reality TV has altered the tastes and values of audiences in the twentieth and twenty-first centuries. It analyzes how reality TV programs reflect the tensions between the individual and the community, the transformative power of technology, the creation of the celebrity, and the breakdown of public and private spheres.