Bike Boys Drag Queens Superstars

Author: Juan Antonio Suárez
Publisher: Indiana Univ Pr
ISBN: 9780253329714
Size: 37.28 MB
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"This comprehensive, insightful study demonstrates that 1960s New York underground film fused 'artistic innovation and the exploration of everyday life' and distinctively interacted with mass culture.'" -- Choice "... thoroughly researched [and] engaging text... " -- Library Journal "This is a very timely and welcome book.... intervenes very effectively to to rewrite the history of the 1960s American underground cinema." -- UTS Review At the confluence of experimental art and the gay subculture of early 1960s New York, Juan Suárez discovers a postmodern, gay-influenced aesthetic that "recycles" popular culture. Filmmakers Kenneth Anger, Jack Smith, and Andy Warhol epitomize this sensibility, combining the influences of European avant-garde movements, comic books, rock 'n' roll, camp, film cults, drag performances, fashion, and urban street cultures.

The Avant Garde Feature Film

Author: William E.B. Verrone
Publisher: McFarland
ISBN: 0786488816
Size: 20.64 MB
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Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appe.

Avant Garde Film

Author: Michael O'Pray
Publisher: Columbia University Press
ISBN: 023185000X
Size: 26.75 MB
Format: PDF
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Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).

Camp

Author: Fabio Cleto
Publisher: University of Michigan Press
ISBN: 9780472067220
Size: 36.53 MB
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The complete guide to c& an anthology of the best writing on its history and current theory in cultural studies and lesbian and gay studies

Sex Objects

Author: Jennifer Doyle
Publisher: U of Minnesota Press
ISBN: 9780816645268
Size: 49.53 MB
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The declaration that a work of art is “about sex” is often announced to the public as a scandal after which there is nothing else to say about the work or the artist-controversy concludes a conversation when instead it should begin a new one. Moving beyond debates about pornography and censorship, Jennifer Doyle shows us that sex in art is as diverse as sex in everyday life: exciting, ordinary, emotional, traumatic, embarrassing, funny, even profoundly boring. Sex Objects examines the reception and frequent misunderstanding of highly sexualized images, words, and performances. In chapters on the “boring parts” of Moby-Dick, the scandals that dogged the painter Thomas Eakins, the role of women in Andy Warhol's Factory films, “bad sex” and Tracey Emin's crudely evocative line drawings, and L.A. artist Vaginal Davis's pornographic parodies of Vanessa Beecroft's performances, Sex Objects challenges simplistic readings of sexualized art and instead investigates what such works can tell us about the nature of desire. In Sex Objects, Doyle offers a creative and original exploration of how and where art and sex connect, arguing that to proclaim a piece of art “about sex” reveals surprisingly little about the work, the artist, or the spectator. Deftly interweaving anecdotal and personal writing with critical, feminist, and queer theory, she reimagines the relationship between sex and art in order to better understand how the two meet-and why it matters. Jennifer Doyle is associate professor of English at the University of California, Riverside. She is coeditor, with Jonathan Flatley and Jos Esteban Muoz, of Pop Out: Queer Warhol.

Visionary Film

Author: P. Adams Sitney
Publisher: Oxford University Press
ISBN: 9780199727018
Size: 36.52 MB
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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

Pop Modernism

Author: Juan Antonio Suárez
Publisher: University of Illinois Press
ISBN: 0252073924
Size: 38.26 MB
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Understanding the artistic bounty of modernist tensions over everyday life

Experimental Cinema

Author: Wheeler W. Dixon
Publisher: Psychology Press
ISBN: 9780415277877
Size: 30.21 MB
Format: PDF
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This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.

Soziologie Als M Glichkeit

Author: Cécile Rol
Publisher: Springer-Verlag
ISBN: 3531914375
Size: 27.16 MB
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Georg Simmels "Soziologie" (1908) hat auf die Begrifflichkeit und auf die Methoden des Faches in Deutschland sowie im Ausland tief gewirkt. In diesem Buch, das Simmel fünfzehn Jahre Arbeit abverlangt hat, verbindet sich in der Analyse des Gegenstandes die Konstruktion des soziologischen Blicks mit dessen praktischer Anwendung. Was aber bleibt 100 Jahre später von der "Soziologie"? Wie wird sie von den unterschiedlichen Spezialisten der Sozial- und Geisteswissenschaften wahrgenommen? Diese Fragen haben die Herausgeber Geistes- und Gesellschaftswissenschaftlern in unterschiedlichen Ländern gestellt, um zu erfahren, wie sie Simmels "Soziologie" in ihre Arbeit und ihre tägliche Forschungspraxis einbeziehen. Wegen ihrer Konstruktion und ihrer thematischen Vielfalt erweist sich die Soziologie oft als unvollendetes Werk. Die Autoren in diesem Band tragen dieser Unabgeschlossenheit Rechnung, indem auch sie dem Leser keine fertigen Analysen und Konstruktionen, sondern Einblicke in laufende Arbeiten auf verschiedenen Ebenen des gesellschaftlichen Lebens bieten. Damit zeigen sie, wie fruchtbar die "Soziologie" für die zeitgenössischen Untersuchungen der Kultur und der Gesellschaft bleibt, und bieten gleichzeitig eine Einführung in die großen Themen der Disziplin an.

The Black Hole Of The Camera

Author: J.J. Murphy
Publisher: Univ of California Press
ISBN: 0520271874
Size: 40.71 MB
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“One acclaimed filmmaker takes the measure of another! Murphy’s candid and richly personal account of Andy Warhol’s filmmaking is a brilliant contribution to our understanding of one of cinema’s most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker’s insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike—especially because it is such a genuine pleasure to read."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. “Those of us who care about independent cinema have always struggled with Andy Warhol’s massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol’s development as a filmmaker. Murphy’s precision, stamina, and passion are evident in this examination of an immense body of work—as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol’s films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist.”—Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol’s films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict,” and the complexity of Warhol’s camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol’s fascinating, prolific, and influential activities in filmmaking."—Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.