Baltic Musics Baltic Musicologies

Author: Kevin C Karnes
Publisher: Routledge
ISBN: 1317990633
Size: 10.43 MB
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This volume is the first to bring together music scholars working on Baltic topics from throughout Europe, North America, and the Middle East for the purpose of exploring the impact of Nazi and Soviet occupation (1940-91) and the restoration of republican independence upon the production of musicological knowledge in and about the Baltic States of Lithuania, Latvia, and Estonia. Its collected essays sketch, for the first time, post-Soviet histories of the sociological dimensions of music study in the region, and examine methodological and ethical problems raised by music scholarship. They shed new light on such topics as the advent of Lithuanian musical modernism, the ecumenicity of Christian musics in Estonia, and the effects of Soviet nationalities policy upon the Latvian musicological discourse. Together, they confront those aspects of Baltic music study that still bear the marks of the Nazi and Soviet experience, and they suggest ways in which the turbulent cultural and political histories of the region might be negotiated by scholars presently active in the field. This book was published as a special issue of the Journal of Baltic Studies.

Brahms And His World

Author: Walter Frisch
Publisher: Princeton University Press
ISBN: 9781400833627
Size: 54.99 MB
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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.

Arvo P Rt S Tabula Rasa

Author: Kevin C. Karnes
Publisher: Oxford University Press
ISBN: 0190468998
Size: 54.40 MB
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One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevin C. Karnes tells the story of Tabula Rasa as one of Pärt and of Europe itself, traced over the course of a quarter-century that saw momentous transitions in European culture and politics, history and memory. Beginning at the site of the work's creation in the Estonian SSR, and drawing extensively upon a range of previously unexamined archival materials, Karnes recounts Pärt's discovery of tintinnabuli amidst his experiments with the music of the Western and Soviet avant-gardes. He examines Tabula Rasa in relation to modernist conceptions of musical structure, the ascetic practice of Orthodox Christianity, postwar experiences of electronic music, and the polystylistic approaches to composition that have become emblematic of the Soviet 1970s. Tracing the export of Tabula Rasa to the West and Pärt's emigration in 1980, the book reveals intersections of critical commentary with visions of the "end of history" that attended the collapse of European communism to suggest that it was in this confluence of listening, discovery, and geopolitical reordering that enduring lines of conversation about Pärt and his music took shape.

Balticum

Author: Irma Vierimaa
Publisher:
ISBN:
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The Fall Of The Iron Curtain And The Culture Of Europe

Author: Peter I. Barta
Publisher: Routledge
ISBN: 1135920486
Size: 72.86 MB
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The end of communism in Europe has tended to be discussed mainly in the context of political science and history. This book, in contrast, assesses the cultural consequences for Europe of the disappearance of the Soviet bloc. Adopting a multi-disciplinary approach, the book examines the new narratives about national, individual and European identities that have emerged in literature, theatre and other cultural media, investigates the impact of the re-unification of the continent on the mental landscape of Western Europe as well as Eastern Europe and Russia, and explores the new borders in the form of divisive nationalism that have reappeared since the disappearance of the Iron Curtain.

A Short Guide To Writing About Music

Author: Jonathan Bellman
Publisher: Longman Publishing Group
ISBN: 9780321187918
Size: 78.59 MB
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Intended for all writers on music--college through budding professional--and far more than a course textbook, this brief and inexpensive text coaches writers how to approach, research, and write about music. A Short Guide to Writing about Music is written in a clear and conversational style, and employs a variety of writing samples (both student and professional) as a means to illustrate effective writing [Publisher description]

A Kingdom Not Of This World

Author: Kevin C. Karnes
Publisher: Oxford University Press
ISBN: 0199957924
Size: 30.50 MB
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A Kingdom Not of This World uncovers a forgotten utopian discourse - largely inspired by and critically responding to the works of Richard Wagner - that had significant influence upon the visual arts and music of fin-de-siècle Vienna. Author Kevin Karnes considers music, visual artworks, and philosophical writings to reveal a powerful current of millennial optimism running counter and parallel to the cultural pessimism widely associated with the period.

The Oxford Handbook Of Maritime Archaeology

Author: Alexis Catsambis
Publisher: Oxford University Press
ISBN: 0199336008
Size: 68.48 MB
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The Oxford Handbook of Maritime Archaeology is a comprehensive survey of the field at a time when maritime archaeology has established itself as a mature branch of archaeology. This volume draws on the expertise of nearly fifty international scholars who examine the many distinct and universal aspects of the discipline.